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Monday, September 15, 2008

Pink Floyd lost a brother



Richard William Wright (28 July 1943 - 15 September 2008) was a self-taught pianist and keyboardist best known for his long career with Pink Floyd.



Though not as prolific a songwriter as his bandmates Syd Barrett, Roger Waters and David Gilmour, he wrote significant parts of the music for classic albums such as Meddle, Dark Side of the Moon and Wish You Were Here, as well as for Pink Floyd's final studio album The Division Bell.



Wright’s richly textured keyboard layers were a vital ingredient and a distinctive characteristic of Pink Floyd's sound. In addition, Wright frequently sang background and occasionally lead vocals onstage and in the studio with Pink Floyd (most notably on the songs "Time," "Echoes," and on the Syd Barrett composition "Astronomy Domine").



Wright died on 15 September 2008, of cancer.




You will be missed greatly. Thank you for sharing your life and love for music for us.

Saturday, September 13, 2008

Great Gig in the Sky



Thanks Brett! I had to have it on a site!

Wednesday, September 10, 2008

Gilmour says no Pink Floyd reunion

‘I’ve been there, I’ve done it,’ says the rocker

Former British Pink Floyd band member David Gilmour has no plays to reunited the band. He's having far too much fun on his own. But, if you go see him live, he will break out a Floyd tune.

updated 3:34 p.m. CT, Tues., Sept. 9, 2008
LONDON - David Gilmour is sorry to disappoint, but there will be no Pink Floyd reunion. He’s having too much fun on his own.

The British rock icon raised fans’ hopes when the band performed at the Live 8 charity concert in London in 2005. It was the first time in almost a quarter of a century that Gilmour and estranged bandmate Roger Waters had appeared onstage together, and the atmosphere was electric.

But once was enough, Gilmour says.

The gig itself was “excellent, really enjoyable,” said the 62-year-old guitarist and singer.

“The rehearsals were less enjoyable. The rehearsals convinced me it wasn’t something I wanted to be doing a lot of,” Gilmour said, speaking from the Astoria, his houseboat-cum-recording studio on the River Thames.

He has a famously testy relationship with bassist and singer Waters, who walked away from Pink Floyd in 1985.

“There have been all sorts of farewell moments in people’s lives and careers which they have then rescinded, but I think I can fairly categorically say that there won’t be a tour or an album again that I take part in,” said Gilmour.

“It isn’t to do with animosity or anything like that. It’s just that I’ve done that. I’ve been there, I’ve done it.”

Still happy to play Floyd songs
Gilmour’s latest project is a solo album and tour, captured on “David Gilmour Live in Gdansk,” a double concert album and DVD to be released Sept. 23 on Columbia Records.

Recorded during the final date of Gilmour’s 2006 “On An Island” tour, it’s as meaty a package as you’d expect from a prog-rock colossus.

There’s the concert’s monumental backdrop of the Polish shipyards where the trade union Solidarity was founded in 1980. There’s a crackerjack band that includes Pink Floyd keyboard player Richard Wright and Roxy Music guitarist Phil Manzanera. And there’s a 40-piece string section from the Baltic Philharmonic Symphony to enhance Gilmour’s blend of classic rock, jazz and blues influences.

The discs include a fan-friendly mix of solo material, much of it from the “On An Island” album, and venerable Floyd songs: “High Hopes,” “Comfortably Numb,” “Shine On You Crazy Diamond” and the 25-minute “Echoes,” which Gilmour said was “the highlight of the show.”

“It’s wonderful to have that huge catalog of songs to pick and choose through. We were doing songs I’ve never done. There are several that haven’t been played for 30-odd years. And some real old favorites.”

Gilmour says he’s happy these days to play the old Floyd songs.

“I don’t like the idea of going out without a new album, without some new music to play,” he said. “But people have come long distances and paid a lot of money to see a show. I want to give them a bit of what they expect and will enjoy.”

Finding inspiration in Poland
Gilmour didn’t originally intend the album to be a record of a single show. He had recorded every night of the tour, but found “a lot of the tracks that seemed to be the best ones were coming from this show in Gdansk.”

The concert was organized to mark the 26th birthday of Solidarity, the union that rose from the docks of Gdansk to topple Poland’s Communist regime, and drew 50,000 fans.

“It had a special resonance to it. The place, this sort of rather derelict shipyard, was really exciting. It was the last show of our whole tour,” Gilmour said. “And there were also about 10 times as many people as we’d played to on any of the other dates on the tour.”

The album — like most of Gilmour’s work for the last two decades — was mixed and assembled aboard the Astoria, moored along a tranquil stretch of the River Thames near London.

The boat was built a century ago, at the then-enormous cost of 20,000 pounds, for Fred Karno, a music-hall impresario whose proteges included the young Charlie Chaplin. Gilmour bought it in 1986, seduced by the Edwardian elegance of its mahogany-paneled cabins, marble bathrooms and mother-of-pearl light switches.

“I hadn’t really thought about using it as a studio,” he said, looking around the tiny musicians’ room, crammed with drum kit and guitars. “It was just too beautiful to miss out on.”

He soon began to use it as a music-making base. The post-Waters Pink Floyd albums “The Division Bell” and “A Momentary Lapse of Reason” were recorded here, as were Gilmour’s solo albums, including “On An Island.”

The vessel’s cramped cabins are packed with high-end recording equipment and assorted instruments, including the black Fender Stratocaster that has been Gilmour’s stalwart guitar since 1970.

You know you're a rock star when...
Fender has just produced a signature guitar in his honor, the David Gilmour Black Strat. It’s one of those things — like a floating recording studio — that you get when you’re a rock legend.

Gilmour notes drily that there are two versions of the guitar. One has all the same knicks and bashes as Gilmour’s own — “the distressed jeans model.” Then there’s a pristine instrument buyers will have to bash up themselves.

“Which will cost less,” Gilmour said. “Because it’s more work distressing it.”

Casual in jeans, black T-shirt and jacket, the gray-haired Gilmour is a low-key rock star, who seems to relish his role as family man — he has eight children from his two marriages.

He says he plans to make a new album, but for now he’s content to take it easy.

“I think if you are going to get on in this career or any other career you’ve got to be fairly ruthless while you’re climbing up to the to the point in the career you want to get to,” he said. “That moment is long past for me. I don’t have to scramble over the bodies to reach the top anymore.”

He says music is “one of the important things in my life, but it’s not the only thing. My family are more important. If I had to give one up, I wouldn’t be giving my family up.”

Tuesday, August 26, 2008

A Great Day For Freedom (Live Performance) - Live In Gdansk



I CANNOT WAIT for 9/22/2008.

Sir David is brillant!

Saturday, August 16, 2008

Meddle Lyrics



Meddle - lyrics

One Of These Days (Waters, Wright, Mason, Gilmour)
One of these days, I'm going to cut you into little pieces


A Pillow of Winds (Waters, Gilmour)

A cloud of eiderdown
Draws around me
Softening a sound.
Sleepy time, and I lie,
With my love by my side,
And she's breathing low.
And the candle dies.
When night comes down
You lock the door.
The book falls to the floor.
As darkness falls
The waves roll by,
The seasons change
The wind is wry.
Now wakes the hour
Now sleeps the swan
Behold the dream
The dream is gone.
Green fields are calling
It's falling, in a golden door.
And deep beneath the ground,
The early morning sounds,
And I go down.
Sleepy time, and I lie,
With my love by my side,
And she's breathing low.
And I rise, like a bird,
In the haze, when the first rays
Touch the sky.
And the night wings die.




Fearless (Waters, Gilmour)
You say the hill's too steep to climb
Climb it.
You say you'd like to see me try
Climbing.

You pick the place and I'll choose the time
And I'll climb
That hill in my own way.
Just wait a while for the right day.
And as I rise above the tree lines and the clouds
I look down, in the sound of the things you said today.

Fearlessly the idiot faced the crowd
Smiling.
Merciless the magistrate turns 'round
Frowning.

And who's the fool who wears the crown?
And go down, in your own way
And every day is the right day
And as you rise above the fear-lines in the crowd
You look down, in the sound of the faces in the crowd.


San Tropez (Waters)
As I reach for a peach
Slide a rind down behind
The sofa in San Tropez.
Breakin' a stick with a brick on the sand.
Ridin' a wave In the wake of an old sedan.
Sleepin' alone in the
Drone of the darkness,
Scratched by the sand that
Fell from my love,
Deep in my dreams and I
Still hear her callin'
"If you're alone, I'll come home."
Backward and homebound,
The pigeon, the dove,
Gone with the wind
And the rain, on an airplane.
Owning a home
With no silver spoon,
I'm drinking champagne
Like a good tycoon.
Sooner than wait for
A break in the weather,
I'll gather my far-flung
Thoughts together.
Speeding away
On the wind to a new day.
And if you're alone
I'll come home.
And I pause for a while
By a country style
And listen to the things they say.
Diggin' for gold
With a hoe in my hand.
Open a book
Take a look at the way things stand.
And you're leading me down
To the place by the sea.
I hear your soft voice
Calling to me.
Making a date for
Later by phone
And if you're alone
I'll come home.



Seamus (Waters, Wright, Mason, Gilmour)
I was in the kitchen,
Seamus, that's the dog, was outside.
Well, I was in the kitchen,
Seamus, my old hound, was outside.
Well, the sun sinks slowly
But my old hound just sat right down and cried.


Echoes(Waters, Wright, Mason, Gilmour)
Overhead the albatross
Hangs motionless upon the air
And deep beneath the rolling waves
In labyrinths of coral caves
An echo of a distant time
Comes willowing across the sand
And everything is green and submarine.

And no one called us to the land
And no one knows the where's or why's.
Something stirs and something tries
Starts to climb toward the light.

Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me.
And do I take you by the hand
And lead you through the land
And help me understand
The best I can.

And no one called us to the land
And no one crosses there alive.
No one speaks and no one tries
No one flies around the sun....

Almost everyday you fall
Upon my waking eyes,
Inviting and inciting me
To rise.
And through the window in the wall
Come streaming in on sunlight wings
A million bright ambassadors of morning.

And no one sings me lulabyes
And no one makes me close my eyes
So I throw the windows wide
And call to you across the sky....

Saturday, July 26, 2008

Pink Floyd The Wall Lyrics




"IN THE FLESH"

So ya
Thought ya
Might like to go to the show.
To feel the warm thrill of confusion
That space cadet glow.
Tell me is something eluding you, sunshine?
Is this not what you expected to see?
If you wanna find out what's behind these cold eyes
You'll just have to claw your way through this disguise.

"Lights! Turn on the sound effects! Action!"
"Drop it, drop it on 'em! Drop it on them!!!!!"

---------------------------------------------------------------------

"THE THIN ICE"

Momma loves her baby
And daddy loves you too.
And the sea may look warm to you babe
And the sky may look blue
But ooooh Baby
Ooooh baby blue
Oooooh babe.

If you should go skating
On the thin ice of modern life
Dragging behind you the silent reproach
Of a million tear-stained eyes
Don't be surprised when a crack in the ice
Appears under your feet.
You slip out of your depth and out of your mind
With your fear flowing out behind you
As you claw the thin ice.

---------------------------------------------------------------------

"ANOTHER BRICK IN THE WALL: PART ONE"

Daddy's flown across the ocean
Leaving just a memory
Snapshot in the family album
Daddy what else did you leave for me?
Daddy, what'd'ja leave behind for me?!?
All in all it was just a brick in the wall.
All in all it was all just bricks in the wall.

"You! Yes, you! Stand still laddy!"

---------------------------------------------------------------------

"THE HAPPIEST DAYS OF OUR LIVES"

When we grew up and went to school
There were certain teachers who would
Hurt the children in any way they could

"OOF!" [someone being hit]

By pouring their derision
Upon anything we did
And exposing every weakness
However carefully hidden by the kids
But in the town, it was well known
When they got home at night, their fat and
Psychopathic wives would thrash them
Within inches of their lives.

---------------------------------------------------------------------

"ANOTHER BRICK IN THE WALL: PART TWO"

We don't need no education
We dont need no thought control
No dark sarcasm in the classroom
Teachers leave them kids alone
Hey! Teachers! Leave them kids alone!
All in all it's just another brick in the wall.
All in all you're just another brick in the wall.

We don't need no education
We dont need no thought control
No dark sarcasm in the classroom
Teachers leave them kids alone
Hey! Teachers! Leave them kids alone!
All in all it's just another brick in the wall.
All in all you're just another brick in the wall.

"Wrong, Do it again!"
"If you don't eat yer meat, you can't have any pudding. How can you
have any pudding if you don't eat yer meat?"
"You! Yes, you behind the bikesheds, stand still laddy!"

---------------------------------------------------------------------

"MOTHER"

Mother do you think they'll drop the bomb?
Mother do you think they'll like this song?
Mother do you think they'll try to break my balls?
Mother should I build the wall?
Mother should I run for president?
Mother should I trust the government?
Mother will they put me in the firing line?
Mother am I really dying?

Hush now baby, baby, dont you cry.
Mother's gonna make all your nightmares come true.
Mother's gonna put all her fears into you.
Mother's gonna keep you right here under her wing.
She wont let you fly, but she might let you sing.
Mama will keep baby cozy and warm.
Ooooh baby ooooh baby oooooh baby,
Of course mama'll help to build the wall.

Mother do you think she's good enough -- to me?
Mother do you think she's dangerous -- to me?
Mother will she tear your little boy apart?
Mother will she break my heart?

Hush now baby, baby dont you cry.
Mama's gonna check out all your girlfriends for you.
Mama wont let anyone dirty get through.
Mama's gonna wait up until you get in.
Mama will always find out where you've been.
Mama's gonna keep baby healthy and clean.
Ooooh baby oooh baby oooh baby,
You'll always be baby to me.

Mother, did it need to be so high?


Goodbye Blue Sky (Waters)

"Look mummy, there's an aeroplane up in the sky"

Did you see the frightened ones?
Did you hear the falling bombs?
Did you ever wonder why we had to run for shelter when the
promise of a brave new world unfurled beneath a clear blue
sky?

Did you see the frightened ones?
Did you hear the falling bombs?
The flames are all gone, but the pain lingers on.

Goodbye, blue sky
Goodbye, blue sky.
Goodbye.
Goodbye.
Goodbye.

"The 11:15 from Newcastle is now approaching"
"The 11:18 arrival...."

---------------------------------------------------------------------

"EMPTY SPACES"

[backwards message:]
"Congratulations, You have just discovered the secret message.
Please send your answer to 'Old Pink',
Care of the funny farm, Chalfont." - Spoken By Roger
[...interrupted...]
"Roger, Caroline's on the phone." - Unknown Voice

What shall we use
To fill the empty spaces
Where we used to talk?
How shall I fill
The final places?
How can I complete the wall

---------------------------------------------------------------------

"YOUNG LUST"

I am just a new boy,
Stranger in this town.
Where are all the good times?
Who's gonna show this stranger around?
Ooooh, I need a dirty woman.
Ooooh, I need a dirty girl.

Will some cold woman in this desert land
Make me feel like a real man?
Take this rock and roll refugee
Oooh, baby set me free.

Ooooh, I need a dirty woman.
Ooooh, I need a dirty girl.

[Phone rings..Clink of receiver being lifted]
"Hello..?"
"Yes, a collect call for Mrs. Floyd from Mr. Floyd.
Will you accept the charges from United States?"
[clunk! of phone being put down]
"Oh, He hung up! That's your residence, right? I wonder why he hung up?
Is there supposed to be someone else there besides your wife there to answer?"
[Phone rings again...clunk of receiver being picked up]
"Hello?"
"This is United States calling, are we reaching...
[interrupted by phone being put down]
"See he keeps hanging up, and it's a man answering."
[whirr of connection being closed]

---------------------------------------------------------------------

"ONE OF MY TURNS"

"Oh my God! What a fabulous room! Are all these your guitars?
[Film in background: "I'm sorry sir, I didn't mean to startle you!]
"This place is bigger than our apartment!
[Film: "Let me know when you're entering a room"
"Yes sir!"]
"erm, Can I get a drink of water?
[Film: "I was wondering about ..."]
"You want some, huh?"
[Film: "Yes"]
"Oh wow, look at this tub? Do you wanna take baaaath?"
[Film: "I'll have to find out from Mrs. Bancroft what time she wants to meet us, for her main ..."]
"What are watching?"
[Film: "If you'll just let me know as soon as you can ... Mrs Bancroft" "Mrs Bancroft ..."]
"Hello?"
[Film: "I don't understand ..."]
"Are you feeling okay?..."

Day after day, love turns grey
Like the skin of a dying man.
Night after night, we pretend its all right
But I have grown older and
You have grown colder and
Nothing is very much fun any more.
And I can feel one of my turns coming on.
I feel cold as a razor blade,
Tight as a tourniquet,
Dry as a funeral drum.

Run to the bedroom,
In the suitcase on the left
You'll find my favorite axe.
Don't look so frightened
This is just a passing phase,
One of my bad days.
Would you like to watch T.V.?
Or get between the sheets?
Or contemplate the silent freeway?
Would you like something to eat?
Would you like to learn to fly?
Would'ya?
Would you like to see me try?

Would you like to call the cops?
Do you think it's time I stopped?
Why are you running away?

---------------------------------------------------------------------

"DON'T LEAVE ME NOW"

Ooooh, babe
Don't leave me now.
Don't say it's the end of the road.
Remember the flowers I sent.
I need you, babe
To put through the shredder
In front of my friends
Ooooh Babe.
Dont leave me now.
How could you go?
When you know how I need you
To beat to a pulp on a Saturday night
Ooooh Babe.
How could you treat me this way?
Running away.
I need you, Babe.
Why are you running away?
Oooooh Babe!

---------------------------------------------------------------------

"ANOTHER BRICK IN THE WALL: PART THREE"

[Sound of many TV's coming on, all on different channels]
"The Bulls are already out there"
Pink: "Aaaaaaaaaaaaaaaaaaaaaaaarrrrrgh!"
"This Roman Meal bakery thought you'd like to know."

I don't need no arms around me
And I dont need no drugs to calm me.
I have seen the writing on the wall.
Don't think I need anything at all.
No! Don't think I'll need anything at all.
All in all it was all just bricks in the wall.
All in all you were all just bricks in the wall.

---------------------------------------------------------------------

"GOODBYE CRUEL WORLD"

Goodbye cruel world,
I'm leaving you today.
Goodbye,
Goodbye,
Goodbye.

Goodbye, all you people,
There's nothing you can say
To make me change my mind.
Goodbye.

---------------------------------------------------------------------

"HEY YOU"

Hey you, out there in the cold
Getting lonely, getting old
Can you feel me?
Hey you, standing in the aisles
With itchy feet and fading smiles
Can you feel me?
Hey you, dont help them to bury the light
Don't give in without a fight.

Hey you, out there on your own
Sitting naked by the phone
Would you touch me?
Hey you, with you ear against the wall
Waiting for someone to call out
Would you touch me?
Hey you, would you help me to carry the stone?
Open your heart, I'm coming home.

But it was only fantasy.
The wall was too high,
As you can see.
No matter how he tried,
He could not break free.
And the worms ate into his brain.

Hey you, standing in the road
always doing what you're told,
Can you help me?
Hey you, out there beyond the wall,
Breaking bottles in the hall,
Can you help me?
Hey you, don't tell me there's no hope at all
Together we stand, divided we fall.

[Click of TV being turned on]
"Well, only got an hour of daylight left. Better get started"
"Isnt it unsafe to travel at night?"
"It'll be a lot less safe to stay here. You're father's gunna pick up our trail
before long"
"Can Loca ride?"
"Yeah, I can ride... Magaret, time to go! Maigret, thank you for everything"
"Goodbye Chenga"
"Goodbye miss ..."
"I'll be back"

---------------------------------------------------------------------

"IS THERE ANYBODY OUT THERE?"

Is there anybody out there?
Is there anybody out there?
Is there anybody out there?
Is there anybody out there?

---------------------------------------------------------------------

"NOBODY HOME"

"Alright, I'll take care of them part of the time, but there's somebody else that needs taking care of in Washington"
"Who's that?"
"Rose Pilchitt!"
"Rose Pilchitt? Who's that?"
"36-24-36 [laughter] does that answer your question?"
[foreground: "Oi! I've got a little black book with me poems in!"]
"Who's she?"
"She was 'Miss Armoured Division' in 1961 ... "

I've got a little black book with my poems in.
Got a bag with a toothbrush and a comb in.
When I'm a good dog, they sometimes throw me a bone in.

I got elastic bands keepin my shoes on.
Got those swollen hand blues.
Got thirteen channels of shit on the T.V. to choose from.
I've got electric light.
And I've got second sight.
And amazing powers of observation.
And that is how I know
When I try to get through
On the telephone to you
There'll be nobody home.

I've got the obligatory Hendrix perm.
And the inevitable pinhole burns
All down the front of my favorite satin shirt.
I've got nicotine stains on my fingers.
I've got a silver spoon on a chain.
I've got a grand piano to prop up my mortal remains.

I've got wild staring eyes.
And I've got a strong urge to fly.
But I got nowhere to fly to.
Ooooh, Babe when I pick up the phone

"Surprise, surprise, surprise..." (from Gomer Pyle show)

There's still nobody home.

I've got a pair of Gohills boots
and I got fading roots.

"Where the hell are you?"
"Over 47 german planes were destroyed with the loss of only 15 of our own aircraft"
"Where the hell are you Simon?"

---------------------------------------------------------------------

"VERA"

Does anybody here remember Vera Lynn?
Remember how she said that
We would meet again
Some sunny day?
Vera! Vera!
What has become of you?
Does anybody else here
Feel the way I do?

---------------------------------------------------------------------

"BRING THE BOYS BACK HOME"

Bring the boys back home.
Bring the boys back home.
Don't leave the children on their own, no, no.
Bring the boys back home.

"Wrong! Do it again!"
"Time to go! [knock, knock, knock, knock]
"Are you feeling okay?"
"There's a man answering, but he keeps hanging up!"
Is there anybody out there?

---------------------------------------------------------------------

"COMFORTABLY NUMB"

Hello? Hello?
Is there anybody in there?
Just nod if you can hear me.
Is there anyone at home?
Come on, now,
I hear you're feeling down.
Well I can ease your pain
Get you on your feet again.
Relax.
I'll need some information first.
Just the basic facts.
Can you show me where it hurts?

There is no pain you are receding
A distant ship, smoke on the horizon.
You are only coming through in waves.
Your lips move but I can't hear what you're saying.
When I was a child I had a fever
My hands felt just like two balloons.
Now I've got that feeling once again
I can't explain you would not understand
This is not how I am.
I have become comfortably numb.

O.K.
Just a little pinprick.
There'll be no more aaaaaaaaah!
But you may feel a little sick.
Can you stand up?
I do believe it's working, good.
That'll keep you going through the show
Come on it's time to go.

There is no pain you are receding
A distant ship, smoke on the horizon.
You are only coming through in waves.
Your lips move but I can't hear what you're saying.
When I was a child
I caught a fleeting glimpse
Out of the corner of my eye.
I turned to look but it was gone
I cannot put my finger on it now
The child is grown,
The dream is gone.
I have become comfortably numb.

---------------------------------------------------------------------

"THE SHOW MUST GO ON"

Ooooh, Ma, Oooh Pa
Must the show go on?
Ooooh, Pa. Take me home
Ooooh, Ma. Let me go

There must be some mistake
I didnt mean to let them
Take away my soul.
Am I too old, is it too late?

Ooooh, Ma, Ooooh Pa,
Where has the feeling gone?
Ooooh, Ma, Ooooh Pa,
Will I remember the songs?
The show must go on.

---------------------------------------------------------------------

"IN THE FLESH"

So ya
Thought ya
Might like to
Go to the show.
To feel that warm thrill of confusion,
That space cadet glow.
I've got some bad news for you sunshine,
Pink isn't well, he stayed back at the hotel
And they sent us along as a surrogate band
We're gonna find out where you folks really stand.

Are there any queers in the theater tonight?
Get them up against the wall!
There's one in the spotlight, he don't look right to me,
Get him up against the wall!
That one looks Jewish!
And that one's a coon!
Who let all of this riff-raff into the room?
There's one smoking a joint,
And another with spots!
If I had my way,
I'd have all of you shot!

---------------------------------------------------------------------

"RUN LIKE HELL"

Run, Run, Run, Run, Run, Run, Run, Run,
Run, Run, Run, Run, Run, Run, Run, Run.
You better make your face up in
Your favorite disguise.
With your button down lips and your
Roller blind eyes.
With your empty smile
And your hungry heart.
Feel the bile rising from your guilty past.
With your nerves in tatters
When the cockleshell shatters
And the hammers batter
Down the door.
You'd better run.

Run, Run, Run, Run, Run, Run, Run, Run,
Run, Run, Run, Run, Run, Run, Run, Run.
You better run all day
And run all night.
Keep your dirty feelings
Deep inside.
And if you're taking your girlfriend
Out tonight
You'd better park the car
Well out of sight.
Cause if they catch you in the back seat
Trying to pick her locks,
They're gonna send you back to mother
In a cardboard box.
You better run.

"Hey, open up! HaHaHaHaHaaaaaaaaaa!
"Hammer, Hammer"

---------------------------------------------------------------------

"WAITING FOR THE WORMS"

"Eins, zwei, drei, alle!"

Ooooh, you cannot reach me now
Ooooh, no matter how you try
Goodbye, cruel world, it's over
Walk on by.

Sitting in a bunker here behind my wall
Waiting for the worms to come.
In perfect isolation here behind my wall
Waiting for the worms to come.

We're {waiting to succeed} and going to convene outside Brixton
Town Hall where we're going to be...

Waiting to cut out the deadwood.
Waiting to clean up the city.
Waiting to follow the worms.
Waiting to put on a black shirt.
Waiting to weed out the weaklings.
Waiting to smash in their windows
And kick in their doors.
Waiting for the final solution
To strengthen the strain.
Waiting to follow the worms.
Waiting to turn on the showers
And fire the ovens.
Waiting for the queens and the coons
and the reds and the jews.
Waiting to follow the worms.

Would you like to see Britannia
Rule again, my friend?
All you have to do is follow the worms.
Would you like to send our colored cousins
Home again, my friend?

All you need to do is follow the worms.

The Worms will convene outside Brixton Bus Station.
We'll be moving along at about 12 o'clock down Stockwell Road.
Abbot's Road...twelve minutes to three we'll be moving along Lambeth Road towards
Vauxhall Bridge. Now when we get to the other side of Vauxhall Bridge we're in
Westminster {Borough } area. It's quite possible we may encounter some
by the way we go."

---------------------------------------------------------------------

"STOP"

Stop!
I wanna go home
Take off this uniform
And leave the show.
But I'm waiting in this cell
Because I have to know.
Have I been guilty all this time?

---------------------------------------------------------------------

"THE TRIAL"

Good morning, Worm your honor.
The crown will plainly show
The prisoner who now stands before you
Was caught red-handed showing feelings
Showing feelings of an almost human nature;
This will not do.
Call the schoolmaster!

I always said he'd come to no good
In the end your honor.
If they'd let me have my way I could
Have flayed him into shape.
But my hands were tied,
The bleeding hearts and artists
Let him get away with murder.
Let me hammer him today?

Crazy,
Toys in the attic I am crazy,
Truly gone fishing.
They must have taken my marbles away.
Crazy, toys in the attic he is crazy.

You little shit you're in it now,
I hope they throw away the key.
You should have talked to me more often
Than you did, but no! You had to go
Your own way, have you broken any
Homes up lately?
Just five minutes, Worm your honor,
Him and Me, alone.

Baaaaaaaaaabe!
Come to mother baby, let me hold you
In my arms.
M'lud I never wanted him to
Get in any trouble.
Why'd he ever have to leave me?
Worm, your honor, let me take him home.

Crazy,
Over the rainbow, I am crazy,
Bars in the window.
There must have been a door there in the wall
When I came in.
Crazy, over the rainbow, he is crazy.

The evidence before the court is
Incontrivertable, there's no need for
The jury to retire.
In all my years of judging
I have never heard before
Of someone more deserving
Of the full penaltie of law.
The way you made them suffer,
Your exquisite wife and mother,
Fills me with the urge to defecate!

Since, my friend, you have revealed your
Deepest fear,
I sentence you to be exposed before
Your peers.
Tear down the wall!

---------------------------------------------------------------------

"OUTSIDE THE WALL"

All alone, or in two's,
The ones who really love you
Walk up and down outside the wall.
Some hand in hand
And some gathered together in bands.
The bleeding hearts and artists
Make their stand.

And when they've given you their all
Some stagger and fall, after all it's not easy
Banging your heart against some mad bugger's wall.

"Isn't this where...."

Wish You Were Here Lyrics




"SHINE ON YOU CRAZY DIAMOND"

Remember when you were young,
You shone like the sun.
Shine on you crazy diamond.
Now there's a look in your eyes,
Like black holes in the sky.
Shine on you crazy diamond.
You were caught on the crossfire
Of childhood and stardom,
Blown on the steel breeze.
Come on you target for faraway laughter,
Come on you stranger, you legend, you martyr, and shine!

You reached for the secret too soon,
You cried for the moon.
Shine on you crazy diamond.
Threatened by shadows at night,
And exposed in the light.
Shine on you crazy diamond.
Well you wore out your welcome
With random precision,
Rode on the steel breeze.
Come on you raver, you seer of visions,
Come on you painter, you piper, you prisoner, and shine!

---------------------------------------------------------------------

"WELCOME TO THE MACHINE"

Welcome my son, welcome to the machine.
Where have you been?
It's alright we know where you've been.
You've been in the pipeline, filling in time,
Provided with toys and 'Scouting for Boys'.
You brought a guitar to punish your ma,
And you didn't like school, and you
know you're nobody's fool,
So welcome to the machine.

Welcome my son, welcome to the machine.
What did you dream?
It's alright we told you what to dream.
You dreamed of a big star,
He played a mean gituar,
He always ate in the Steak Bar.
He loved to drive in his Jaguar.
So welcome to the Machine.

---------------------------------------------------------------------

"HAVE A CIGAR"

Come in here, dear boy, have a cigar.
You're gonna go far, fly high,
You're never gonna die,
You're gonna make it if you try;
They're gonna love you.
Well I've always had a deep respect,
And I mean that most sincerely.
The band is just fantastic,
that is really what I think.
Oh by the way, which one's Pink?
And did we tell you the name of the game, boy,
We call it Riding the Gravy Train.

We're just knocked out.
We heard about the sell out.
You gotta get an album out.
You owe it to the people.
We're so happy we can hardly count.
Everybody else is just green,
Have you seen the chart?
It's a helluva start,
It could be made into a monster
If we all pull together as a team.
And did we tell you the name of the game, boy,
We call it Riding the Gravy Train.

---------------------------------------------------------------------

"WISH YOU WERE HERE"

So, so you think you can tell
Heaven from Hell,
Blue skys from pain.
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?

And did they get you to trade
Your heros for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
And did you exchange
A walk on part in the war
For a lead role in a cage?

How I wish, how I wish you were here.
We're just two lost souls
Swimming in a fish bowl,
Year after year,
Running over the same old ground.
What have we found?
The same old fears.
Wish you were here.

---------------------------------------------------------------------

"SHINE ON YOU CRAZY DIAMOND"

Nobody knows where you are,
How near or how far.
Shine on you crazy diamond.
Pile on many more layers
And I'll be joining you there.
Shine on you crazy diamond.
And we'll bask in the shadow
Of yesterday's triumph,
And sail on the steel breeze.
Come on you boy child,
You winner and loser,
Come on you miner for truth and delusion, and shine!